Double Exposure of Holly

$24.95

1977. 75 Min. Annie Sprinkle, Bree Anthony, Catherine Burgess, Nancy Dare, Terri Hall, Jamie Gillis. Jewish American Princess Holly Levin (Burgess) is married to an old man for money but fucks around constantly. A vindictive ex puts her under vide…

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1977. 75 Min. Annie Sprinkle, Bree Anthony, Catherine Burgess, Nancy Dare, Terri Hall, Jamie Gillis. Jewish American Princess Holly Levin (Burgess) is married to an old man for money but fucks around constantly. A vindictive ex puts her under video surveillance in an attempt to destroy her marriage, triggering a ripple effect of betrayal and murder. The Double Exposure of Holly captures the glossy dissipation of mid-70’s New York. Jamie Gillis remembered that director Bob Gill was only around for this hardcore movie but had much conventional film making ability. Gill’s professionalism is immediately evident in the conflict driven narrative structure, which resembles an extensional soap opera. All these jaded characters are trapped in a situation which appears to have no remedy. As the peek-a-boo investigative team, Gillis and Terri Hall (always terrific together), are impressive as sex driven depressives. Hardcore scenes appear fluidly, such as Terri Hall nodding out and imagining a dark, disembodied orgy set to an aural tapestry of ambient jazz music. Annie Sprinkle appears as a dumb, giddy hooker who seduces Gillis in a pre arranged 3-way with Nancy Dare. Leading lady Catherine Burgess was a hardcore anomaly. She appeared in a few big budget porn films, did simulated sex, but required a body double for the inserts, perhaps to lend a patina of glamor. The Double Exposure of Holly is a moody, erotic film with it’s own unique aesthetic. -Landis/Clifford

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